quotations about writing
Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you've been to college.
KURT VONNEGUT
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A Man Without a Country
Writing, in war and in peace, is the same thing. The only difference is how you view yourself.... Mass death, revolutions and history make you reconsider things.
KHALED KHALIFA
"Syrian novelist Khaled Khalifa tells the stories of a bleeding, beautiful country", Syria Direct, March 23, 2017
There are probably seven persons, in all, who really like my work; and they are enough. I should write even if I were the only patient reader, for my aim is merely self-expression.
H. P. LOVECRAFT
"The Defence Remains Open!"
We writers don't really think about whether what we write is good or not. It's too much to worry about. We just put the words down, trying to get them right, operating by some inner sense of pitch and proportion, and from time to time, we stick the stuff in an envelope and ship it to an editor.
GARRISON KEILLOR
"Who Has Time to Be a Writer?", Salon, August 11, 1998
Fiction is about everything human and we are made out of dust, and if you scorn getting yourself dusty, then you shouldn't try to write fiction. It's not a grand enough job for you.
FLANNERY O'CONNOR
Mystery and Manners
Since we must and do write each our own way, we may during actual writing get more lasting instruction not from another's work, whatever its blessings, however better it is than ours, but from our own poor scratched-over pages. For these we can hold up to life. That is, we are born with a mind and heart to hold each page up to, and to ask: is it valid?
EUDORA WELTY
On Writing
However much the writer might long to be, in his work, simple, honest, and straightforward, these virtues are no longer available to him. He discovers that in being simple, honest, and straightforward, nothing much happens: he speaks the speakable, whereas what we are looking for is the as-yet unspeakable, the as-yet unspoken.
DONALD BARTHELME
"Not-Knowing"
Popular success is a palace built for a writer by publishers, journalists, admirers and professional reputation makers, in which a silent army of termites, rats, dry rot and death-watch beetles are tunnelling away, till, at the very moment of completion, it is ready to fall down. The one hope for a writer is that although his enemies are often unseen they are seldom unheard. He must listen for the death-watch, listen for the faint toc-toc, the critic's truth sharpened by envy, the embarrassed praise of a sincere friend, the silence of gifted contemporaries, the implications of the don in the manger, the visitor in the small hours. He must dismiss the builders and contractors, elude the fans with an assumed name and dark glasses, force his way off the moving staircase, subject every thing he writes to a supreme critical court. Would it amuse Horace or Milton or Swift or Leopardi? Could it be read to Flaubert? Would it be chosen by the Infallible Worm, by the discriminating palates of the dead?
CYRIL CONNOLLY
Enemies of Promise
I've come to believe that a huge part of getting better at writing is forcing yourself to see the things that have been in the corner of your eye all along. That means writing stories that include characters from other cultures and backgrounds--but also, being more open to other viewpoints in general. It also means interrogating all of your other lazy ideas and drilling into all of the "of courses" that you let yourself get away with.
CHARLIE JANE ANDERS
"The Single Most Important Thing You Can Do To Make Your Writing More Awesome", Gizmodo, February 25, 2016
All stories must end so, with the next tale winking out of the corners of the last pages, promising more, promising moonlight and dancing and revels, if only you will come back when spring comes again.
CATHERYNNE M. VALENTE
The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making
I believe one writes because one has to create a world in which one can live. I could not live in any of the worlds offered to me -- the world of my parents, the world of war, the world of politics. I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate myself when destroyed by living. That, I believe, is the reason for every work of art.
ANAÏS NIN
diary, February 1954
Many great writers address audiences who do not exist; to address passionately and sometimes with very great wisdom people who do not exist has this advantage--that there will always be a group of people who, seeing a man shouting apparently at somebody or other, and seeing nobody else in sight, will think it is they who are being addressed.
WYNDHAM LEWIS
The Art of Being Ruled
A plain narrative of any remarkable fact, emphatically related, has a more striking effect without the author's comment.
WILLIAM SHENSTONE
Essays on Men and Manners
The chief advantage that ancient writers can boast over modern ones, seems owing to simplicity. Every noble truth and sentiment was expressed by the former in the natural manner; in word and phrase, simple, perspicuous, and incapable of improvement. What then remained for later writers but affectation, witticism, and conceit?
WILLIAM SHENSTONE
Essays on Men and Manners
Writing can wreck your body. You sit there on the chair hour after hour and sweat your guts out to get a few words.
NORMAN MAILER
The New York Times, October 4, 2000
Writers are a little below clowns and a little above trained seals.
JOHN STEINBECK
Quote Magazine, June 18, 1961
To finish is sadness to a writer--a little death. He puts the last word down and it is done. But it isn't really done. The story goes on and leaves the writer behind, for no story is ever done.
JOHN STEINBECK
The Paris Review, fall 1975
I really think that reading is just as important as writing when you're trying to be a writer. Because it's the only apprenticeship we have.
JOHN GREEN
"Nov. 26th: Writing Advice (And Notes on Surnameless Tiffany)", YouTube
A man always writes absolutely well whenever he writes in his own manner, but the wigmaker who tries to write like Gellert ... writes badly.
GEORG CHRISTOPH LICHTENBERG
"Notebook B", The Waste Books
If it is a distinction to have written a good book, it is also a disgrace to have written a bad one.
CHRISTIAN NESTELL BOVEE
Intuitions and Summaries of Thought