quotations about writing
The only characters I've made to resemble real people have been grotesques.
GLEN COOK
interview, SF Site, September 2005
I like that every page in every book can have a gem on it. It's probably what I love most about writing--that words can be used in a way that's like a child playing in a sandpit, rearranging things, swapping them around. They're the best moments in a day of writing -- when an image appears that you didn't know would be there when you started work in the morning.
MARKUS ZUSAK
The Book Thief
My father was a writer, so I grew up writing and reading and I was really encouraged by him. I had some sort of gift and when it came time to try to find a publisher I had a little bit of an "in" because I had his agent I could turn to, to at least read my initial offerings when I was about 20. But the only problem was that they were just awful, they were just terrible stories and my agent, who ended up being my agent, was very, very sweet about it, but it took about four years until I actually had something worth trying to sell.
ANNE LAMOTT
interview, Big Think, April 6, 2010
Writing groups are the best things to happen to a writer since the invention of spell check. (I rely heavily on both so I would know.)
DASHA FAYVINOVA
"9 Reasons Joining A Writing Group Is One Of The Best Ways A Writer Can Grow", Bustle, February 8, 2016
Writing is about growth, challenge and change. Without those things, there's no joy in it.
VERONICA ROTH
"Best-Selling Author Veronica Roth Tells What Writing Books Is Really Like", Entrepreneur, March 30, 2017
Lucky the one who writes in a book of spiral-bound mornings
a future in ink, who writes hand unshaking
JANE HIRSHFIELD
"Sweater"
If there is a special Hell for writers it would be in the forced contemplation of their own works.
JOHN DOS PASSOS
New York Times, October 25, 1959
It's not a bad thing for a man to have to live his life--and we nearly all manage to dodge it. Our first round with the Sphinx may strike something out of us--a book or a picture or a symphony; and we're amazed at our feat, and go on letting that first work breed others, as some animal forms reproduce each other without renewed fertilization. So there we are, committed to our first guess at the riddle; and our works look as like as successive impressions of the same plate, each with the lines a little fainter; whereas they ought to be--if we touch earth between times--as different from each other as those other creatures--jellyfish, aren't they, of a kind?--where successive generations produce new forms, and it takes a zoologist to see the hidden likeness.
EDITH WHARTON
"The Legend", Tales of Men and Ghosts
A lot of novelists start late--Conrad, Pirandello, even Mark Twain. When you're young, chess is all right, and music and poetry. But novel-writing is something else. It has to be learned, but it can't be taught. This bunkum and stinkum of college creative writing courses! The academics don't know that the only thing you can do for someone who wants to write is to buy him a typewriter.
JAMES M. CAIN
The Paris Review, spring-summer 1978
You have to seduce the reader, manipulate their mind and heart, listen to the music of language. I sometimes think of prose as music, in terms of its rhythms and dynamics, the way you compress and expand the attention of a reader over a sentence, the way the tempo pushes you towards an image or sensation. We want an intense experience, so that we can forget ourselves when we enter the world of the book. When you are reading, the physical object of the book should disappear from your hands.
CARLOS RUIZ ZAFON
"The Shadow Maker", The Telegraph, November 27, 2005
Writing can wreck your body. You sit there on the chair hour after hour and sweat your guts out to get a few words.
NORMAN MAILER
The New York Times, October 4, 2000
Writing in English is the most ingenious torture ever devised for sins committed in previous lives. The English reading public explains the reason why.
JAMES JOYCE
letter to Fanny Guillermet, September 5, 1918
I really believe there are many excellent writers who have never written because they never could begin. This is especially the case of people of great sensitiveness, or of people of advanced education. Professors suffer most of all from this inhibition. Many of them carry their unwritten books to the grave. They overestimate the magnitude of the task, they overestimate the greatness of the final result. A child in a prep school will write the History of Greece and fetch it home finished after school. "He wrote a fine History of Greece the other day," says his fond father. Thirty years later the child, grown to be a professor, dreams of writing the History of Greece -- the whole of it from the first Ionic invasion of the Aegean to the downfall of Alexandria. But he dreams. He never starts. He can't. It's too big. Anybody who has lived around a college knows the pathos of those unwritten books.
STEPHEN LEACOCK
How to Write
Writing is a part of healing, of digging into society.
KHALED KHALIFA
"Syrian novelist Khaled Khalifa tells the stories of a bleeding, beautiful country", Syria Direct, March 23, 2017
He did not seem to know enough about the people in his novel. They did not seem to trust him.
JAMES BALDWIN
Another Country
There are men that will make you books, and turn them loose into the world, with as much dispatch as they would do a dish of fritters.
MIGUEL DE CERVANTES
Don Quixote
He that writes to himself, writes to an eternal public.
ELIZA COOK
Diamond Dust
A plain narrative of any remarkable fact, emphatically related, has a more striking effect without the author's comment.
WILLIAM SHENSTONE
Essays on Men and Manners
Think what it would mean if you could teach, or if you could learn the art of writing. Why, every book, every newspaper you'd pick up, would tell the truth, or create beauty. But there is, it would appear, some obstacle in the way, some hindrance to the teaching of words. For though at this moment at least a hundred professors are lecturing on the literature of the past, at least a thousand critics are reviewing the literature of the present, and hundreds upon hundreds of young men and women are passing examinations in English literature with the utmost credit, still -- do we write better, do we read better than we read and wrote four hundred years ago when we were un-lectured, un-criticized, untaught?
VIRGINIA WOOLF
"Words Fail Me", BBC radio, April 29, 1937
When I write, I write because a thing has to be done. I don't think a writer should meddle too much with his own work. He should let the work write itself.
JORGE LUIS BORGES
The Paris Review, winter-spring 1967