quotations about writing
Journalism is a good place for any writer to start -- the retailing of fact is always a useful trade and can it help you learn to appreciate the declarative sentence. A young writer is easily tempted by the allusive and ethereal and ironic and reflective, but the declarative is at the bottom of most good writing.
GARRISON KEILLOR
"Post to the Host", July 2005
In his text, the writer sets up house. Just as he trundles papers, books, pencils, documents untidily from room to room, he creates the same disorder in his thoughts. They become pieces of furniture that he sinks into, content or irritable.
THEODOR W. ADORNO
Minima Moralia
If it is a distinction to have written a good book, it is also a disgrace to have written a bad one.
CHRISTIAN NESTELL BOVEE
Intuitions and Summaries of Thought
How hard is the destiny of a maker of books! He has to cut and sew up in order to make ideas follow logically. But when one writes a book on reverie, has the time not come to let the pen run, to let reverie speak, and better yet to dream the reverie at the same time one believes he is transcribing it?
GASTON BACHELARD
The Poetics of Reverie: Childhood, Language, and the Cosmos
Good writers define reality; bad ones merely restate it.
EDWARD ALBEE
Saturday Review, May 4, 1966
For me, everyone I write of is real. I have little true say in what they want, what they do or end up as (or in). Their acts appall, enchant, disgust or astound me. Their ends fill me with retributive glee, or break my heart. I can only take credit (if I can even take credit for that) in reporting the scenario. This is not a disclaimer. Just a fact.
TANITH LEE
interview, Innsmouth Free Press, November 17, 2009
Almost every author I have met who has started a novel that is not yet finished is making the same mistake: They are all bogged down at around chapter 4 or 5. Why? Because they are editing everything as they go. Dotting every T, crossing every 'i' and writing and re-writing every sentence until it is perfect. There are a few theories as to why you just can't do this but let me just be clear up front: YOU CAN'T DO THIS!
DAVID CHISLETT
"Editing Is Not Writing", Books LIVE, February 12, 2016
Writers cannot let themselves be servants of the official mythology. They have to, whatever the cost, say what truth they have to say.
TOBIAS WOLFF
Continuum, summer 1998
Whether 10 or 1,000 people are listening is irrelevant. Writing is an investment in your future and your potential.
BIANCA BASS
"Why You Should Write (Even If It Feels Like Nobody Is Listening)", Huffington Post, February 29, 2016
When I write, I write because a thing has to be done. I don't think a writer should meddle too much with his own work. He should let the work write itself.
JORGE LUIS BORGES
The Paris Review, winter-spring 1967
Think what it would mean if you could teach, or if you could learn the art of writing. Why, every book, every newspaper you'd pick up, would tell the truth, or create beauty. But there is, it would appear, some obstacle in the way, some hindrance to the teaching of words. For though at this moment at least a hundred professors are lecturing on the literature of the past, at least a thousand critics are reviewing the literature of the present, and hundreds upon hundreds of young men and women are passing examinations in English literature with the utmost credit, still -- do we write better, do we read better than we read and wrote four hundred years ago when we were un-lectured, un-criticized, untaught?
VIRGINIA WOOLF
"Words Fail Me", BBC radio, April 29, 1937
The writer must believe that what he is doing is the most important thing in the world. And he must hold to this illusion even when he knows it is not true.
JOHN STEINBECK
New York Times, June 2, 1969
The more books we read, the clearer it becomes that the true function of a writer is to produce a masterpiece and that no other task is of any consequence.
CYRIL CONNOLLY
The Selected Essays of Cyril Connolly
Should novels generally be 600 pages? No, they should not. Half of writing, maybe 3/4 of writing, is editing. This seems to be a thing that has not gotten through to them. It's my impression that you could get rid of half of most of these books. These people are not good enough to be this long, but they're apparently also not good enough to be shorter.
FRAN LEBOWITZ
interview, Ruminator Magazine, August/September 2005
I wrote without much effort; for I was rich, and the rich are always respectable, whatever be their style of writing.
JANE AUSTEN
letter to Cassandra Austen, June 20, 1808
I try to write every day. I used to try to write four times a day, minimum of three sentences each time. It doesn't sound like much but it's kinda like the hare and the tortoise. If you try that several times a day you're going to do more than three sentences, one of them is going to catch on. You're going to say "Oh boy!" and then you just write. You fill up the page and the next page. But you have a certain minimum so that at the end of the day, you can say "Hey I wrote four times today, three sentences, a dozen sentences. Each sentence is maybe twenty word long. That's 240 words which is a page of copy, so at least I didn't goof off completely today. I got a page for my efforts and tomorrow it might be easier because I've moved as far as I have."
ROGER ZELAZNY
interview, Phlogiston, 1995
I have no taste for either poverty or honest labor, so writing is the only recourse left for me.
HUNTER S. THOMPSON
The Proud Highway
I don't particularly care about having [my characters] talk realistically, that doesn't mean very much to me. Actually, a lot of people speak more articulately than some critics think, but before the 20th century it really didn't occur to many writers that their language had to be the language of everyday speech. When Wordsworth first considered that in poetry, it was considered very much of a shocker. And although I'm delighted to have things in ordinary speech, it's not what I'm trying to perform myself at all: I want my characters to get their ideas across, and I want them to be articulate.
LOUIS AUCHINCLOSS
interview, Bomb Magazine, fall 1997
Good fiction creates its own reality.
NORA ROBERTS
The Stanislaski Brothers
For a moment, I debated whether I should tell someone about the words I'd started writing down, but I couldn't. In a way, I felt ashamed, even though my writing was the one thing that whispered okayness in my ear. I didn't speak it, to anyone.
MARKUS ZUSAK
Getting the Girl