WRITING QUOTES XIII

quotations about writing


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He did not seem to know enough about the people in his novel. They did not seem to trust him.

JAMES BALDWIN
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Another Country


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Tags: James Baldwin


Read heavily in the area where you want to write. Be aware of what's selling and what's doing well but don't try to write to market trends; they are fleeting.

JEFF ABBOTT

interview, Book Browse


The business of a novelist is, in my opinion, to create characters first and foremost, and then to set them in the snarl of the human currents of his time, so that there results an accurate permanent record of a phase of history.

JOHN DOS PASSOS

"The Business of a Novelist"


The writer must be universal in sympathy and an outcast by nature: only then can he see clearly.

JULIAN BARNES

Flaubert's Parrot

Tags: Julian Barnes


I understood that my real problem with writing was not that I couldn't do it mentally. I couldn't do it physically. I could not sit still. Literally, could not sit still. So I had to solve that. I used some long scarves to tie myself into my chair. I tied myself in with a pack of cigarettes on one side and coffee on the other, and when I instinctively bolted upright after a few minutes, I'd say, Oh, shit. I'm tied down. I've got to keep writing.

LOUISE ERDRICH

The Paris Review, winter 2010

Tags: Louise Erdrich


I like that every page in every book can have a gem on it. It's probably what I love most about writing--that words can be used in a way that's like a child playing in a sandpit, rearranging things, swapping them around. They're the best moments in a day of writing -- when an image appears that you didn't know would be there when you started work in the morning.

MARKUS ZUSAK

The Book Thief


Writer's block is only a failure of the ego.

NORMAN MAILER

attributed, A Writer's Time


The life of a writer is absolute hell ... if he is a writer of fiction he lives in a world of fear. Each new day demands new ideas and he can never be sure whether he is going to come up with them or not.

ROALD DAHL

Boy

Tags: Roald Dahl


I try to write every day. I used to try to write four times a day, minimum of three sentences each time. It doesn't sound like much but it's kinda like the hare and the tortoise. If you try that several times a day you're going to do more than three sentences, one of them is going to catch on. You're going to say "Oh boy!" and then you just write. You fill up the page and the next page. But you have a certain minimum so that at the end of the day, you can say "Hey I wrote four times today, three sentences, a dozen sentences. Each sentence is maybe twenty word long. That's 240 words which is a page of copy, so at least I didn't goof off completely today. I got a page for my efforts and tomorrow it might be easier because I've moved as far as I have."

ROGER ZELAZNY

interview, Phlogiston, 1995


The factors controlling a writer's popularity are as mysterious and ultimately as unknowable as the number of stars in the sky.

SAMUEL R. DELANY

interview, SF Site, April 2001

Tags: Samuel R. Delany


That's also part of having great editors -- they can sort of be honest with you and say, "I see where you're headed with this, but I don't think it's there yet. Dig deeper, babe, and come back with something more." And that's what you do, you dig waaaaaaaay down and you walk around the block eight million times and then you have it -- shazam! And it all comes together in something soooo much better than you thought you were capable of.

VICTORIA LAURIE

interview, Author's Den

Tags: Victoria Laurie


The final lesson a writer learns is that everything can nourish the writer. The dictionary, a new word, a voyage, an encounter, a talk on the street, a book, a phrase learned.

ANAÏS NIN

attributed, French Writers of the Past


Many writers are there that paint a stolen jade and sell it for a colt at the nearest fair.

AUSTIN O'MALLEY

Keystones of Thought

Tags: Austin O'Malley


The privilege of being a writer is that you have this opportunity to slow down and to consider things.

CHRIS ABANI

interview, UTNE Reader, June 2010

Tags: Chris Abani


I compelled myself all through to write an exercise in verse, in a different form, every day of the year. I turned out my page every day, of some sort--I mean I didn't give a damn about the meaning, I just wanted to master the form--all the way from free verse, Walt Whitman, to the most elaborate of villanelles and ballad forms. Very good training. I've always told everybody who has ever come to me that I thought that was the first thing to do.

CONRAD AIKEN

interview, The Paris Review, winter-spring 1968


Popular success is a palace built for a writer by publishers, journalists, admirers and professional reputation makers, in which a silent army of termites, rats, dry rot and death-watch beetles are tunnelling away, till, at the very moment of completion, it is ready to fall down. The one hope for a writer is that although his enemies are often unseen they are seldom unheard. He must listen for the death-watch, listen for the faint toc-toc, the critic's truth sharpened by envy, the embarrassed praise of a sincere friend, the silence of gifted contemporaries, the implications of the don in the manger, the visitor in the small hours. He must dismiss the builders and contractors, elude the fans with an assumed name and dark glasses, force his way off the moving staircase, subject every thing he writes to a supreme critical court. Would it amuse Horace or Milton or Swift or Leopardi? Could it be read to Flaubert? Would it be chosen by the Infallible Worm, by the discriminating palates of the dead?

CYRIL CONNOLLY

Enemies of Promise


I like to write. Sometimes I'm afraid that I like it too much because when I get into work I don't want to leave it. As a result I'll go for days and days without leaving the house or wherever I happen to be. I'll go out long enough to get papers and pick up some food and that's it. It's strange, but instead of hating writing I love it too much.

HARPER LEE

interview with Roy Newquist, Counterpoints, 1964

Tags: Harper Lee


The first paragraph. The last paragraph. That's where the story is going and how it's going to end. Or else you'll go off in a hundred different directions.

HUNTER S. THOMPSON

The Paris Review, fall 2000


When asked for advice by beginners. Know your ending, I say, or the river of your story may finally sink into the desert sands and never reach the sea.

ISAAC ASIMOV

I, Asimov: A Memoir

Tags: Isaac Asimov


The writer is delegated to declare and to celebrate man's proven capacity for greatness of heart and spirit -- for gallantry in defeat -- for courage, compassion and love. In the endless war against weakness and despair, these are the bright rally-flags of hope and of emulation.

JOHN STEINBECK

Nobel Prize acceptance speech, December 10, 1962