American comic book writer & creator (1922- )
When you can sit down with a plain sheet of paper in front of you and make some notes, and, little by little, you see it take shape and become a concept for a movie or a TV show. That's a real thrill. You watch it go from notes on a paper to a meeting with writers and directors and actors. I can't think of anything that's more exciting.
STAN LEE
online interview, Esquire, July 3, 2012
I'm proud of everything that was done that was successful. I did the hiring and the firing and I'm proud of the fact that we were able to hire people as talented as the artists that we had, like Jack Kirby and Steve Ditko and Gene Colan and John Romita and Gil Kane. I'm proud of the fact that I worked with them and I like to think that we brought out the best of these artists and writers. It was a great time. I look back at that time when Marvel was starting I think I couldn't have been with a better group of people.
STAN LEE
Denver Post Online, May 23, 2013
I'm a frustrated actor. My ... goal is to beat Alfred Hitchcock in the number of cameos. I'm going to try to break his record.
STAN LEE
interview, February 6, 2006
The "problem" is that Comic-Con is so damned successful. People who are there seem to have a wonderful time. The very size of it makes it exciting. Wherever you look, there's something exciting. The attendees are always looking around for a familiar face. It's either 'There's a movie star!' Or, 'There's a TV star!' Or, 'There's the guy who drew the Green Lantern!' It means so much to the fans. It makes them feel like they're where it's happening. It's like Woodstock.
STAN LEE
The Washington Post, July 23, 2010
What did Doctor Doom really want? He wanted to rule the world. Now, think about this. You could walk across the street against a traffic light and get a summons for jaywalking, but you could walk up to a police officer and say "I want to rule the world," and there's nothing he can do about it, that is not a crime. Anybody can want to rule the world. So, even though he was the Fantastic Four's greatest menace, in my mind, he was never a criminal!
STAN LEE
Stan Lee's Amazing Marvel Universe
Achilles, without his heel, you wouldn't even know his name today.
STAN LEE
"Stan Lee: From Marvel Comics Genius to Purveyor of Wonder with POW!", PR, March 13, 2006
I had a publisher who felt comics were just for little kiddies, so he never wanted me to use words of more than two syllables.
STAN LEE
interview, Syfy
For the first week, I stood in front of that little thing on the sidewalk and wanted to punch anybody that stepped on it.
STAN LEE
about his star on the Hollywood Walk of Fame, Fan Expo, June 5, 2016
The publisher had me doing western magazines, crime magazines, men's adventure magazines, even romance and teenage magazines and one day he came to me and he said you know one of our competitors has a book called The Justice League and it's selling well and it's a bunch of superheroes, why don't we do some superhero magazines? I said OK, I wanted to keep my job so I came up with The Fantastic Four and the others and that was the only reason. If my publisher hadn't said 'let's do superhero stories' I'd probably still be doing A Kid Called Outlaw, The Two Gun Kid or Millie the Model or whatever I was doing at the time.
STAN LEE
interview, CNN, June 12, 2013
A superhero's catchphrase should be like a really memorable advertising slogan. It sticks in your head and you can't stop humming it. And let's face it, superheroes are just really selling themselves as products.
STAN LEE
"Spidey Bites: Stan Lee's Secret for Saving Spider-Man the Musical?", Vanity Fair, March 10, 2011
I don't really see a need to retire as long as I am having fun.
STAN LEE
interview, Feb. 6, 2006
My favorite movie star, far and away, was Errol Flynn. I thought that this guy was the greatest because he always played such heroic roles. He was either the sheriff of Dodge City, or he was Robin Hood, or he was Captain Blood. When I would leave the theater, I'd be about 10 years old I guess ... I would imagine I had a little crooked smile on my face the way Errol Flynn did, and an imaginary sword at my side. I'd be looking around for little girls that might be [attacked] by some bullies.
STAN LEE
"Stan Lee: From Marvel Comics Genius to Purveyor of Wonder with POW!", PR, March 13, 2006
Some people will say, "Why read a comic book? It stifles the imagination. If you read a novel you imagine what people are like. If you read a comic, it's showing you." The only answer I can give is, "You can read a Shakespeare play, but does that mean you wouldn't want to see it on the stage?"
STAN LEE
Denver Post Online, May 23, 2013
Never speak harshly of your enemy -- when you can kick 'im in the shins instead!
STAN LEE
"Stan Lee's Soapbox", Conan the Barbarian #55, October 1975
Some artists, such as Jack Kirby, need no plot at all. I mean I'll just say to Jack, "Let's let the next villain be Dr. Doom" ... or I may not even say that. He may tell me. And then he goes home and does it. He's so good at plots, I'm sure he's a thousand times better than I. He just makes up the plots for these stories. All I do is a little editing ... I may tell him that he's gone too far in one direction or another. Of course, occasionally I'll give him a plot, but we're practically both the writers on the things.
STAN LEE
Castle of Frankenstein, no. 12, 1968
With great power there must also come ... great responsibility!
STAN LEE
Amazing Fantasy, #15, August 1962
That's what everybody tells me. "I would've had a great comic-book collection, but my mother made me throw them away." But when I was growing up, my mother didn't care. As long as I was reading, she didn't care if my room was filled with comics. I could have saved everything. I was just too stupid to do it.
STAN LEE
"Spidey Bites: Stan Lee's Secret for Saving Spider-Man the Musical?", Vanity Fair, March 10, 2011
In the early days, I was writing scripts for virtually all the books, and it was very hard to keep all the artists busy; poor little frail me, doing story after story. So I'd be writing a story for Kirby, and Steve Ditko would walk in and say, 'Hey, I need some work now.' And I'd say, 'I can't give it to you now, Steve, I'm finishing Kirby's.' But we couldn't afford to keep Steve waiting, because time is money, so I'd have to say, 'Look Steve, I can't write a script for you now, but here's the plot for the next Spider-Man. Go home and draw anything you want, as long as it's something like this, and I'll put the copy in later.' So I was able to finish Jack's story. Steve in the meantime was drawing another story. Then Don Heck would come over and say, "Hey Stan, I need something to do." I'd say, "Well, I can't write it for you Don, but here's the plot for Iron Man, you go and draw it, and I'll put in the copy later." That way I could keep five, six, ten artists busy; they were drawing, and as they'd bring in the strip, I'd put in the copy. Okay, it started out as a lazy's man's device--or maybe a guy who just didn't have enough time--but we realized this was absolutely the best way to do a comic. Because any artist who really belongs in this field--and of course our artists do--is a storyteller himself. He tells stories with pictures; he has imagination, he knows continuity, he knows how a story should be told.... Don't have the writer say, 'Panel one will be a long shot of Spider-Man walking down the street.' The artist may see it differently; maybe he feels it should be a shot of Spider-Man swinging on his web, or climbing upside-down on the ceiling or something.
STAN LEE
1975 San Diego Comic Con Panel, The Collected Jack Kirby Collector, vol. 4
I'm thankful for our writers
Whose imaginations never fail,
And I'm thankful for our artists
Who illustrate each tale.
I'm thankful for our letterers
Who print the words we write,
And without our classy colorists
We'd just be black and white.
I'm thankful for our editors
Who put it all together,
And the gang that proofs each peerless page
In every kind of weather.
I'm thankful for our printers
So dependable and true,
And also for our auditors
Whatever it is they do.
I'm thankful for our sales force
Selling every neighborhood,
And I thank our competition
For making us look good.
Now here's to all of Marveldom
I can't thank you enough,
Yep, you're the ones I thank the most
For reading all this stuff!
STAN LEE
"Stan Lee's Soapbox", Conan the Barbarian #59, February 1976
The power of prayer is still the greatest ever known in this endless eternal universe.
STAN LEE
The Avengers, #14